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The Darjeeling Limited (2007, Wes Anderson)

The first sequence in The Darjeeling Limited suggests a far worse film than Anderson actually delivers. A frantic taxi race to a train station with Bill Murray suggests Anderson has become–well, I...

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King of the Hill (1993, Steven Soderbergh)

Two major things about Soderbergh’s approach to a memoir adaptation. They’re somewhat connected, so I might not manage to separate them out. King of the Hill has no frame, it has no narration. It has...

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Hollywoodland (2006, Allen Coulter)

Hollywoodland is not a narrative mess. It’d be a far more interesting (and far less boring) two hours if it were. Instead, Paul Bernbaum’s plotting is intentional and considered. Neither Bernbaum nor...

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Bullet (1996, Julien Temple)

The tragedy of Mickey Rourke is not his failed mainstream career. Rather, it’s how he’s never been able to get any filmmakers of note involved in his vanity projects. Bullet‘s an incredibly ambitious,...

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King Kong (2005, Peter Jackson)

I’ll be honest–I didn’t make it very far, considering its length, into King Kong. I sat through a lot. I sat through the opening Great Depression montage, which was shockingly bad. The people who...

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Predators (2010, Nimród Antal)

How’s this one for a double standard? When director Robert Rodriguez made Desperado, he demanded a Mexican actress (Salma Hayek) play a Mexican character (against studio wishes). When producer Robert...

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Midnight in Paris (2011, Woody Allen)

Midnight in Paris is one of Allen’s single stroke films. There are some painters in it, so using the paint stroke metaphor works rather nicely. The film’s about one thing; it’s about Owen Wilson’s...

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Detachment (2011, Tony Kaye)

Detachment is not a message film. Kaye gives it a pseudo-documentary feel and does presents definite thesis about the public education in the United States. Except Detachment isn’t really about that...

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Liberty Heights (1999, Barry Levinson)

Liberty Heights is about protagonist Ben Foster's last year in high school. Levinson never puts it in such simple terms because the film is about quiet, deliberate, but perceivable life events. Every...

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The Thin Red Line (1998, Terrence Malick)

The Thin Red Line is about fear, beauty, solitude, loneliness. Director Malick’s approach is, frankly, staggering. Thin Red Line is an odd film to talk about because in most ways, it’s my favorite...

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Image may be NSFW.
Clik here to view.

Predators (2010, Nimród Antal)

How’s this one for a double standard? When director Robert Rodriguez made Desperado, he demanded a Mexican actress (Salma Hayek) play a Mexican character (against studio wishes). When producer Robert...

View Article

Image may be NSFW.
Clik here to view.

Midnight in Paris (2011, Woody Allen)

Midnight in Paris is one of Allen’s single stroke films. There are some painters in it, so using the paint stroke metaphor works rather nicely. The film’s about one thing; it’s about Owen Wilson’s...

View Article

Image may be NSFW.
Clik here to view.

Detachment (2011, Tony Kaye)

Detachment is not a message film. Kaye gives it a pseudo-documentary feel and does presents definite thesis about the public education in the United States. Except Detachment isn’t really about that...

View Article


Image may be NSFW.
Clik here to view.

The Thin Red Line (1998, Terrence Malick)

The Thin Red Line is about fear, beauty, solitude, loneliness. Director Malick’s approach is, frankly, staggering. Thin Red Line is an odd film to talk about because in most ways, it’s my favorite...

View Article
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